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If you want to finish something quickly, make it shorter. But sometimes you get so engrossed in your story that you forget to check up on your initial goals: is it really essential for this story to be as long as you first set out to make it?
Could you perhaps say everything you need to say in fewer words? Could you cut out some less important scenes and finish the project faster? Studying plot formulas and creating The One Page Novel was a huge breakthrough for me.
In fact using these archetypal story structures can speed up your writing at every stage of the process: Steal consciously and conscientiously.
Again, if you would like to err on the side of caution, stick to pieces that are already in the public domain. Mannerisms, tags, set phrases, occupations, obsessions, pedigrees, physical descriptions, relationships and preferences are just some characteristics you can borrow to whatever extent you feel comfortable.
Character motivation is one of the hardest things to pin down when writing a story, and creating a believable character can require a lot of planning and revision. Vladimir Nabokov, in his , argues that a good reader has a very clear idea of the geography of a story; enough to draw a map. The result was a character who floated in a vacuum, unable to interact believably with the room she was standing in, or with the people who were with her.
This might involve: creating writing rituals such as picking muse cards, starting with 5 minutes of freewriting; creating mental triggers such as making a cup of tea or coffee, setting a timer, sharpening your pencil; and eliminating distractions by putting your phone on silent, unplugging the router, putting on earphones, etc.
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